Friday, November 1, 2013

English Through Creative Pedagogy (Book Review in Confluence -South Asian Perspectives (UK), Winter 2013, p#20)


 ENGLISH THROUGH CREATIVE PEDAGOGY

FOUNDATION COURSE: LANGUAGE, LITERATURE & CREATIVITY -ENGLISH

University of Delhi, Orient Blackswan, New Delhi, 2013
                                    Book Reviewed by Gifty Gupta
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Delhi University has broken ground by developing a versatile “study material” book and is out to demonstrate the pedagogy for effective and meaningful learning. As a language of global communication, English is not only seen as a language of development through which nearly all contemporary knowledge is accessible , but also as a language of opportunity, social prestige, power as well as success.

Students today want to learn English as a communicative tool in social, educational and economic settings. It is important that the learners should be consciously led to develop their learner language by engaging them in socially meaningful activities. There has been a great deal of research that ascertains that a language class should represent simulation of real communicative situations by focusing on the integrative and interactive activities. Thus, language teaching should be meaning and function oriented, learner-centered and interactive.

The foundation course on ‘Language, Literature and Creativity- English’, seems to have been developed with the above objectives in mind. A vital component of the new Four-Year Undergraduate Programme  of the University of Delhi, the course endeavours to incorporate concrete activities and not just hypothetical suggestions and idealized changes. It aims at “implementing a new mode of participative and creative pedagogy”, and also promises to deliver “not only stimulating study materials, but also outcome-oriented tasks for the students to perform in class or at home…”

In doing away with the streaming of students on the basis of the years spent in learning a language, the present course reaches out to a heterogeneous group of students. The tasks have been so designed as to be chosen, modified and used by the teacher/facilitator to cater to different difficulty levels present in the classroom.

The group activities not only give a fair chance to the students to interact among various levels of  linguistic proficiency, but also enable the teacher to be inventive in treating the subject according to the need of different groups of students.



There are eight units in the book, which have been designed with the focus on enhancing the learner’s listening, speaking, reading and writing skills. For instance, the activities requiring the students to listen to the clips on YouTube website are very innovative and interesting as the students’ keen interest in technology actively engages them in the given tasks. They have an easy access to the sources available online for their further reading. “It’s a ‘Happy Classroom’ wherein we are allowed to talk, sit in groups, use internet and express ourselves freely,” exclaimed a student. According to another: “We look forward to our LLC lecture even in the late hours, because we interact with a new group and a new task every time we meet; it’s so evolutionary and therefore interesting.”

The titles of all the units are suggestive of their extensive and comprehensive themes:  ‘Dialoguing with Nature’, ‘The Location and Dislocation of Culture’, ‘Beyond the Classroom’, ‘Thinking Livelihood’, ‘The Hungry and the Homeless’, ‘ Telling Experiences’, ‘Creative Journeys’ and ‘Art and Life’. All the units recommend group learning and include trans- disciplinary activities. For instance, the tasks vary  from  responding to news headlines to sensitivity to environmental issues; from writing a positive statement to thinking about the traditional games of India; from common errors in grammar  to discussing the food security bill, and from being sensitized to the problem of displacement to understanding literary language, just to name a few.

“There has never been such a versatile accumulation in the language courses. It’s certainly a favourable shift towards achieving the much desired creative expression,” says one of the teachers of this course. What is called for is an imaginative engagement with the material by both, the learner as well as the teacher.

The strength of the course lies in bringing a transition from evaluating a student for his/her capacity to memorise the content to encouraging him/her to achieve some degree of communicative competence. The suggested class presentations and group projects provide a practical platform to the students in order to participate, perform and practice in real life situations.

Thus, the study material serves as an invaluable resource in the discipline of English Language Teaching that attempts to eliminate the habit of rote learning. The students are required to analyse the content, understand issues and be able to think clearly and develop an argument cogently.

 The activities have been carefully designed so as to appear more like games than strenuous grammatical exercises. For example, discussing a  given ‘cartoon’  in groups of five, rearranging ‘jumbled words’, responding within a minute to a quick query and role-playing dramatically are some of the  exercises which not only adopt a learner-centered approach, but also aim at bridging the gap between the basic school training and the integrated and reflective approach in college.

As there is no content to memorise, students are not required to produce ‘the correct answers’ for writing an exam. However, they are expected to understand the concept and think precisely. The challenge is for teachers to adopt a creative pedagogy and flexible methodology to make this course as effective as it is intended to be, for “one who dares to teach, must never cease to learn”.
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Dr. Gifty Gupta is Assistant Professor in English at Shaheed Rajguru College of Applied Sciences, University of Delhi.
 
Source: Book Review published in Confluence -South Asian Perspectives (UK), Winter 2013, P#20.  
 
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